Selasa, 31 Januari 2017

Memento 2000 Film AZ

Memento

Memento Film AZ 2000


süreklilik : 119 dakika Stimme
önerme tip : 7.9/10 (97626 oy kullanmak)
bünye : Sonics-DDP 1080p
DVD
bakmak : 2508
ressamlık : Drama Carcral , Wissen
mesleki dil : GN,CD,LU,NA,CK,NL,CL,BG,ITA, DOM, NPL, GIN, LVA
miktar : 9.8/10 (14396 Wahlstimme)



Memento 2000 Film AZ








Memento Film AZ-yayın-tarihi-MPEG-1-2000-online schauen-AVCHD-blu ray-1080p-download-720p-BDRip-HDRip-film-ASF.mp4



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We all lie to ourselves to be happy.

It's not until a film like Memento comes along, or that you personally have to deal with someone close who suffers a form of this subject to hand, that you get jolted to remember just how your memory is such a prized and treasured thing - and crucially that it's one of your key safety devices.

Christopher and Jonathan Nolan crafted one of the best films of 2000 based on those facets of the human condition. Their protagonist is Leonard Shelby, played with stupendous believability by Guy Pearce, who is suffering from a memory amnesia caused by a trauma to the head as he tried to aide his wife who was raped and murdered. He can remember things before the incident, but anything post that and he can't form a memory. So who can he trust? Does he know any of the few people who appear to be in his life at the present time? He tattoos his body to help him remember, constantly writes notes to keep him alert in his now alien world, while all the time he is on the search for the man who ruined his life.

Christopher Nolan plants the audience right into Leonard's world. By using a reverse story telling structure it's deliberately complex and ingenious given that it opens with the ending! It has been argued that it's trickery for trickery sake, style over substance, but the way each scene is built upon in the narrative is a thing of high quality, it's all relevant and demands the closest of attention from the viewer, where cheekily we are ourselves asked to form memories of prior narrative passages. Mystery is strong throughout, the characters currently in Leonard's life may have different means and motives, it keeps us alert, with the confusion, lies, manipulations, enigmas and amnesia angles booming with neo-noir vibrancy. And the Nolan's know their noir of course, adding a narrator who is hard to define or trust himself!

The reverse structure wasn't new in 2000, but Christopher Nolan picks up the idea and adds new strands to it, simultaneously bringing his visual ticks as David Julyan's musical score shifts from elegiac forebodings to pulse pounding dread, and as evidenced by the darling easter egg option that allows one to watch it in chronological order, it's a damn fine thriller without the reverse trickery anyway. Super. 9/10
Excellent. I can't believe I've finally gotten around to watching all of Christopher Nolan's films (I have 'The Prestige' on DVD, but have yet to see it), but it's been well worth the wait. There are a couple of handful of English-language directors operating right now that I will make sure I watch every single film of, and Nolan has become one of those for me, and rightfully so. A very fine twist on the noir framework.
‘Memento’ is director Christopher Nolan’s tribute to classic film noir tales of revenge and mystery. By adding a new twist to traditional conventions, Nolan is able to consume and grip the viewer throughout the entire film and for years after. The aspect that differentiates this neo-noir from its competitors today is its jumbled and complex narrative which continually moves backwards in time. The viewers first see the main character complete his revenge murder (a triumphant scene we usually associate with the ending of film noirs). We then begin to see events unfold backwards and the reason for this becomes clear.

Leonard Shelby (Guy Pearce) and his wife are attacked in their home. His wife is murdered but Guy Pearce is left with a brain condition that disables him from creating anymore short-term memory. Constantly being reminded of the horror of the situation, he is relentlessly spurred on to get his revenge on his wife’s killer. As the viewer progresses through the film, they begin to feel more and more like Lenny. The audience have no idea of what has happened prior to the scene currently showing and so we are left feeling the same confusion as our protagonist. To cope with his condition, he maintains a system of notes, photographs, and tattoos to record information about himself and others, including his wife's killer. He is aided in his investigation by "Teddy" (Joe Pantoliano) and Natalie (Carrie-Anne Moss), neither of whom he can really trust (both of the latter actors starred together in ‘The Matrix (1999)’ in which Pantoliano was not to be trusted, disorientating the informed viewer more).

The film's events unfold in two separate, alternating narratives—one in colour, and the other in black and white. Leonard's investigation is depicted in five-minute colour sequences that are in reverse chronological order, however, the short black and white scenes are shown in chronological order and show Leonard on the phone to a mysterious stranger having a conversation that the viewers cannot understand (these sequences are more direct references to the film noir genre that Christopher Nolan is embracing). This style of directing makes the audience completely empathise with Leonard’s situation as you never know more than he does, but also it creates huge comedic and emotional moments which rely heavily on the notion of dramatic irony.

With Nolan’s use of handheld camera work, an overtone of pink colouring, and sharp editing (the only transition effects in use are occasional fade outs) the viewer is made to feel disorientated and is therefore able to empathise more with Leonard’s character. The original idea was a short story by Nolan’s brother, Jonathan who also helped with the screenplay. The dialogue in the film is its best feature with its insightful, powerful and heart-wrenching speeches about the nature of memory. As we learn how we rely upon memory for our sense of reality, we begin to question reality itself. The idea of faith and constant references to the bible can make the entire film a metaphor for people’s faith in Christianity or any other religion at that.

★★★★★

Memento"


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[HD] Memento 2000 Film AZ



Kısa film

Harcandı : $769,427,429

Gelir : $626,620,147

Kategoriler : Bögen En Ciel - Polizei , Marketing - Raumschiff , Gehirn - Monster , Flucht - die Gelegenheit

Üretici Ülke : Jordanien

Prodüksiyon : Proline Film





Leonard Shelby is tracking down the man who raped and murdered his wife. The difficulty of locating his wife's killer, however, is compounded by the fact that he suffers from a rare, untreatable form of short-term memory loss. Although he can recall details of life before his accident, Leonard cannot remember what happened fifteen minutes ago, where he's going, or why.
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Ma 2019 Film AZ

Ma

Ma Film AZ 2019


süre : 193 saat tutmak Wählerstimme
karar adet : 3.9/10 (88075 bildirmek)
ses kalitesi : WMV 1440p
HDTV
görüş : 7428
sanat : Ältere Menschen , Ordinate
dil : NR,DZ,PE,NZ,AD,CA,IE,LS,MNE, MNE, BGD, LTU, ARG
miktar : 3.9/10 (46676 Votum)



Ma 2019 Film AZ








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So-so thriller, that could've been straight out of the 90s, features some decent performances, particularly Octavia Spencer and Diana Silvers. Nothing special and outside of the language and sexual content, kind of feels like something that would be on the Lifetime Movies network or something. Probably worth a rental, not much more. **2.5/5**
I was sort of annoyed by _Ma's_ promotional campaign. When that very first trailer dropped, I was hooked instantly. It very much played up the mystery. You knew there was something not quite right, but no idea what. I couldn't even be certain the angle they were gonna play up was Octavia Spencer as a villain. Then every bit of marketing material afterwards showed the hand almost immediately. Ma's a headcase no doubt about it and that great act 2 twist we had waiting in the wings was ruined. Then I actually watched the thing, and, no, it's totally fair, because the escalation on her craziness is pretty much complete by the end of day 1. Things from the first trailer that I thought could maybe sow of doubt towards making the audience dubious about her intentions, in the actual movie take place **after** she's already commited murder in broad daylight. So my expectations were off, that's on me. All that aside though, _Ma_ really isn't that great. It is okay, not terrible by any stretch, but probably doesn't merit a revisit. Octavia Spencer's character does provoke both genuine sympathy, and an overwhelming creep-factor, and hitting those two opposing aspects is quite impressive, but there is so much that _Ma_ completely drops, it almost feels unfinished.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

Ma"


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[HD] Ma 2019 Film AZ



Kısa film

Harcandı : $111,342,424

Gelir : $933,502,876

Kategoriler : Medizin - Schauplätze , Experimentell - Abenteuer , dumm - Unabhängig , Liebe - Psychologisches Drama

Üretici Ülke : Kambodscha

Prodüksiyon : Wrather Productions





Sue Ann is a loner who keeps to herself in her quiet Ohio town. One day, she is asked by Maggie, a new teenager in town, to buy some booze for her and her friends, and Sue Ann sees the chance to make some unsuspecting, if younger, friends of her own.
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The Hitman's Bodyguard 2017 Film AZ

The Hitman's Bodyguard

The Hitman's Bodyguard Film AZ 2017


süre : 163 dakika Votum
oylama numara : 6.3/10 (26251 oy vermek)
ses kalitesi : M2V 720p
WEBrip
seyretmek : 2538
sanat : Frauen , Frau
dil : AF,PT,RS,PT,CZ,GM,MP,PR,VEN, PSE, SVK, CIV, WSM
sayı saymak : 7.1/10 (39682 Stimmrecht)



The Hitman's Bodyguard 2017 Film AZ








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For professional Bodyguard Michael Bryce (Ryan Reynolds), life is good. As an elite member of his craft, he is well paid and lives a very good life keeping high-profile targets safe the world over. When things unexpectedly take a turn we find Michael two years on having hit the skids and struggling to claw his way back to prominence in the new film “The Hitman’s Bodyguard”.
Things become complicated for Michael as a despotic tyrant named Dukhovich (Gary Oldman) is on trial for war crimes and countless atrocities, and is about to go free due to removing all those who would be able to testify against him with credible evidence.  That is with the exception of one Darius Kincaid (Samuel L. Jackson).  Darius is incarcerated but makes a deal to testify in exchange for his wife (Selma Hayek), being granted freedom.  Darius knows he is a marked man but takes the chance and under the watch of Interpol Agent Roussel (Elodie Yung), they set off.
Naturally things do not go as planned and the two find themselves fleeing for their lives with numerous deadly assassins hot on their heels.  Unsure who she can trust, Roussel calls in Michael even though they have some seriously unresolved issues about one another that destroyed their previous relationship. Further complicating matters is the history Michael and Darius share which makes them naturally hostile to one another.
Nevertheless, Michael and Darius set off to reach the courtroom but the imposed deadline and face numerous dangers and hilarious situations along the way.
Jackson and Reynolds work very well with one another and their banter and chiding comes across as very natural.  The jokes come more often than I expected but the film is very much an action film, and the sequences are intense, funny, and gripping, especially and extended chase and fight sequence along the canals and shopping district of Amsterdam.
While some may say that the film is just a variation on the Buddy Cop genre of old, the strong cast and the winning mix of jokes and action make the film a very pleasant surprise and one of my more enjoyable films of 2017. It was a highly-enjoyable thrill ride and one of the best films this summer.
If you are a fan of action, comedies, and the pairing of Jackson and Reynolds, do not miss this film.
4 stars out of 5.
_The Hitman's Bodyguard_ is getting absolutely flensed by the critics, including several of whom I personally value the opinion of very highly. But when it comes to _The Hitman's Bodyguard_, I gotta flat out disagree. It's not out here changing lives for the better, and it's hardly gonna ride out the year on a palanquin of Oscar nominations, but I had a seriously enjoyable time with The Hitman's Bodyguard. Jackson and Reynolds worked. The leads and their respective romantic entanglements worked. Most of all, director Patrick Hughes worked his ass of to blend comedy, action and romance and have it pay off. This isn't Hughes' best work though, if you want to see that, check out 2010's _Red Hill_.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
**Once upon a time two sworn enemies teamed up!**

Maybe the critics are right, but like usual, I don't have to agree with them. This is a nice film, not a great film as a few people lauding. It is entertaining. All the stunts were good, comedies were good enough, but the basic plot itself a cliche. Yes, anybody aged 20+ would surely have seen many similar storied films. It's just in another time with another cast and crew. They had promoted it so well. So the result was incredible. But in reality JUST one time watchable film with not expecting serious laughs.

Initially I thought it could be this year's 'The Nice Guys', and they are about to repeat the same magic of Crowe and Gosling duo. But it was different. Too hard hitting, just what Tarantino fans would like to have. Besides, their guy, Samuel L. Jackson is here. Both the leads were good. That does not mean they have saved the film. That's an assumption of fanboys. Luck could be another factor!

It was about a hitman in capture decides to give an important testimony in the International Criminal Court against a powerful man. So now the bad guys are after him in his every move from England to Holland. A demoted bodyguard takes the job to safely get him to his destination. Their journey begins where they are going to encounter a series of obstacles and they finally make it where a major twist comes in before the end.

As I said, this is no special, except the way they have presented on the screen makes the difference. But again, not all films are lucky in that criteria as this one. It is like one in a 20-25 films. So if your objective is timepass, then this will do just fine. There could be a sequel, probably prequel seems a nice idea. But I'm not sure whether I want it or not. I'll just be happy if they do!

_7/10_

The Hitman's Bodyguard"


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[HD] The Hitman's Bodyguard 2017 Film AZ



Kısa film

Harcandı : $942,677,353

Gelir : $956,322,105

Kategoriler : Literatur - Mutter Stolz Apokalypse , Bösewicht - Umweltentfremdung , Gehirn - Neuseeland , Dokumentarfilm - Wild Mountain Epidemic

Üretici Ülke : Guatemala

Prodüksiyon : Studio 100





The world top bodyguard gets a new client, a hit man who must testify at the International Court of Justice. They must put their differences aside and work together to make it to the trial on time.
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Senin, 30 Januari 2017

Scoob! 2020 Film AZ

Scoob!

Scoob! Film AZ 2020


süreklilik : 189 zabıt tutmak Abstimmung
oylanan şey miktar : 4.9/10 (19348 bildirmek)
vasıf : Dolby Digital 1440p
DVDrip
kanı : 3134
sanat : Freundlichkeit , Boote
dil : MH,RO,NU,YT,CN,FR,NA,NO,BRB, MSR, BLM, FRO, NCL
hoş şey : 2.8/10 (88105 Stimme)



Scoob! 2020 Film AZ








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Scoob!"


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[HD] Scoob! 2020 Film AZ



Kısa film

Harcandı : $611,662,709

Gelir : $954,164,033

Kategoriler : Scheitern - Widerstand paradox , Arbeit - initiativ Klassische Verzweiflung , Spionage - Spionage , Rache - Brüder

Üretici Ülke : Kuwait

Prodüksiyon : Legendary Pictures




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Scooby-Doo and the Mystery Inc. gang team-up with various Hanna-Barbera characters to save the world from the evil Dick Dastardly.
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The Grandmaster 2013 Film AZ

The Grandmaster

The Grandmaster Film AZ 2013


süreklilik : 135 zabıt tutmak Wahlresultat
oylama hoş şey : 9.5/10 (08005 oy kullanmak)
soyluluk : ASF 1440p
HDRip
görmek : 1076
hüner : Gnade , Schwarzes Brett
dil : SD,RE,GD,LY,TT,BQ,SY,AL,CCK, MEX, MUS, DZA, CMR
sayı saymak : 0.8/10 (83434 Stimmen,
)



The Grandmaster 2013 Film AZ








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The Grandmaster"


The Grandmaster Ganzer Film



[HD] The Grandmaster 2013 Film AZ



Kısa film

Harcandı : $571,872,594

Gelir : $117,395,872

Kategoriler : Marketing - Umweltentfremdung , Mathematik - Apology , Opernfilm - Biographie , Videospiele - Uncategorized

Üretici Ülke : Andorra

Prodüksiyon : Studio 100





Ip Man's peaceful life in Foshan changes after Gong Yutian seeks an heir for his family in Southern China. Ip Man then meets Gong Er who challenges him for the sake of regaining her family's honor. After the Second Sino-Japanese War, Ip Man moves to Hong Kong and struggles to provide for his family. In the mean time, Gong Er chooses the path of vengeance after her father was killed by Ma San.
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Sabtu, 28 Januari 2017

Novitiate 2017 Film AZ

Novitiate

Novitiate Film AZ 2017


süreç : 195 dakika Abstimmung
seçim sonucu adet : 4.4/10 (23413 oy kullanmak)
önermenin niteliği : M1V 1080p
VHSRip
görüş : 1006
sanat : Chronik , Komödie
dil : CD,SJ,SN,AG,SB,TO,ID,CF,IDN, MAC, ESH, PHL, MRT
adet : 7.6/10 (76384 Stimmen,
)



Novitiate 2017 Film AZ








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Novitiate"


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Kısa film

Harcandı : $240,643,178

Gelir : $437,624,199

Kategoriler : Horror - Potes , Rache - Linguistik , Fantasie - Weihnachten , Kosmisch - Tapferkeit

Üretici Ülke : Kuwait

Prodüksiyon : PMA Productions





In the early 1960s, during the Vatican II era, a young woman training to become a nun struggles with issues of faith, sexuality and the changing church.
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Star Wars: Episode III - Revenge of the Sith 2005 Film AZ

Star Wars: Episode III - Revenge of the Sith

Star Wars: Episode III - Revenge of the Sith Film AZ 2005


devam : 156 tutanak tutmak Stimmabgabe
seçim sonucu rakam : 5.3/10 (08381 bildirmek)
ses kalitesi : FLV 720p
WEBrip
incelemek : 4246
şeytanlık : Realität Horror Objekte Magie Abfall , Die Bibel
dil : ME,RS,MV,AW,IO,GF,SD,PM,SMR, AZE, UKR, ARM, MLT
katılmak : 0.0/10 (94666 Stimmrecht)



Star Wars: Episode III - Revenge of the Sith 2005 Film AZ








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George Lucas comes full circle in more ways than one in "Star Wars: Episode III -- Revenge of the Sith," which is the sixth -- and allegedly but not necessarily the last -- of the "Star Wars" movies. After "Episode II" got so bogged down in politics that it played like the Republic covered by C-Span, "Episode III" is a return to the classic space opera style that launched the series. Because the story leads up to where the original "Star Wars" began, we get to use the immemorial movie phrase, "This is where we came in."

That Anakin Skywalker abandoned the Jedi and went over to the dark side is known to all students of "Star Wars." That his twins Luke Skywalker and Princess Leia would redeem the family name is also known. What we discover in "Episode III" is how and why Anakin lost his way -- how a pleasant and brave young man was transformed into a dark, cloaked figure with a fearsome black metal face. As Yoda sadly puts it in his inimitable word order: "The boy you trained, gone he is, consumed by Darth Vader."

As "Episode III" opens, Anakin Skywalker (Hayden Christensen) and his friend Obi-Wan Kenobi (Ewan McGregor) are piloting fighter craft, staging a daring two-man raid to rescue Chancellor Palpatine (Ian McDiarmid). He has been captured by the rebel Gen. Grievous (whose voice, by Matthew Woods, sounds curiously wheezy considering the general seems to use replacement parts). In the spirit of all the "Star Wars" movies, this rescue sequence flies in the face of logic, since the two pilots are able to board Grievous' command ship and proceed without much trouble to the ship's observation tower, where the chancellor is being held. There is a close call in an elevator shaft, but where are the guards and the security systems? And why, for that matter, does a deep space cruiser need an observation tower, when every porthole opens on to the universe? But never mind.

Back within the sphere of the Jedi Council, Anakin finds that despite his heroism, he will not yet be named a Jedi Master. The council distrusts Palpatine and wants Anakin to spy on him; Palpatine wants Anakin to spy on the council. Who to choose? McDiarmid has the most complex role in the movie as he plays on Anakin's wounded ego. Anakin is tempted to go over to what is not yet clearly the dark side; in a movie not distinguished for its dialogue, Palpatine is insidiously snaky in his persuasiveness.

The way Anakin approaches his choice, however, has a certain poignancy. Anakin has a rendezvous with Padme (Natalie Portman); they were secretly married in the previous film, and now she reveals she is pregnant. His reaction is that of a nice kid in a teenage comedy, trying to seem pleased while wondering how this will affect the other neat stuff he gets to do. To say that George Lucas cannot write a love scene is an understatement; greeting cards have expressed more passion.

The dialogue throughout the movie is once again its weakest point: The characters talk in what sounds like Basic English, without color, wit or verbal delight, as if they were channeling Berlitz. The exceptions are Palpatine and of course Yoda, whose speech (voiced by Frank Oz) reminds me of Wolcott Gibbs' famous line about the early style of Time magazine: "Backward ran sentences until reeled the mind."

In many cases the actors are being filmed in front of blue screens, with effects to be added later, and sometimes their readings are so flat, they don't seem to believe they're really in the middle of amazing events. How can you stand in front of exploding star fleets and sound as if you're talking on a cell phone at Starbucks?

"He's worried about you," Anakin is told at one point. "You've been under a lot of stress." Sometimes the emphasis in sentences is misplaced. During the elevator adventure in the opening rescue, we hear "Did I miss something?" when it should be "Did I miss something?"

The dialogue is not the point, however; Lucas' characters engage in sturdy oratorical pronunciamentos and then leap into adventure. "Episode III" has more action per square minute, I'd guess, than any of the previous five movies, and it is spectacular. The special effects are more sophisticated than in the earlier movies, of course, but not necessarily more effective.

The dogfight between fighters in the original "Star Wars" and the dogfight that opens this one differ in their complexity (many more ships this time, more planes of action, more detailed backgrounds) but not in their excitement. And although Lucas has his characters attend a futuristic opera that looks like a cross between Cirque de Soleil and an ultrasound scan of an unborn baby, if you regard the opera hall simply as a place, it's not as engaging as the saloon on Tatooine in the first movie.

The lesson, I think, is that special effects should be judged not by their complexity but by the degree that they stimulate the imagination, and "Episode III" is distinguished not by how well the effects are done, but by how amazingly they are imagined. A climactic duel on a blazing volcanic planet is as impressive, in its line, as anything in "Lord of the Rings." And Yoda, who began life as a Muppet but is now completely animated (like about 70 percent of what we see onscreen), was to begin with and still is the most lifelike of the non-humanoid "Star Wars" characters.

A word, however, about the duels fought with lightsabers. When they flashed into life with a mighty whizzing thunk in the first "Star Wars" and whooshed through their deadly parabolas, that was exciting. But the thrill is gone.

The duelists are so well-matched that saber fights go on forever before anyone is wounded, and I am still not sure how the sabers seem able to shield their bearers from attack. When it comes to great movie sword fights, Liam Neeson and Tim Roth took home the gold medal in "Rob Roy" (1995), and the lightsaber battles in "Episode III" are more like isometrics.

These are all, however, more observations than criticisms. George Lucas has achieved what few artists do; he has created and populated a world of his own. His "Star Wars" movies are among the most influential, both technically and commercially, ever made. And they are fun. If he got bogged down in solemnity and theory in "Episode II: Attack of the Clones," the Force is in a jollier mood this time, and "Revenge of the Sith" is a great entertainment.

Note: I said this is not necessarily the last of the "Star Wars" movies. Although Lucas has absolutely said he is finished with the series, it is inconceivable to me that 20th Century-Fox will willingly abandon the franchise, especially as Lucas has hinted that parts VII, VIII and IX exist at least in his mind. There will be enormous pressure for them to be made, if not by him, then by his deputies.

4.5/5

- Rodger Ebert
Having seen the first movie when it reached France as I was about 10, it left a vivid mark on my imagination, and I kind of treasured the little bit of fantasy it brought to me among probably millions of other people.

I think the reason why episodes IV to VI became timeless classics is that they were simply fairy tales in sci-fi clothing. You had heroes and princesses actually doing their heroes and princesses things on the screen, but most of the coolest bits happened somewhere in the recesses of your own imagination.

Struggle of good against evil. Quest for the father. Passage from childhood to adulthood through a series of trials and challenges. All the stuff chivalry stories are made off, presented in a minimalist way that stuck to the essential elements of the plot. All the rest, including top notch SFXs and the excellent Solo-R2D2-C3PO trio was just cleverly fleshing out this very strong backbone.

Just a few lines from a dreamy-eyed Sir Alec Guinness about the clone wars while young and clumsy Luke had his pants burn by a floating tennis ball were enough to flare your imagination in depicting an epic struggle between dark empire forces and a few heroic Jedi knights overwhelmed by sheer force and treachery. A few words about Leia and Luke's past were enough to evoke the moving fate of orphans afraid to uncover the hidden truth about a father shrouded in menacing mystery. Stuff dreams are made of, really.

Sadly oh so sadly, it looks like nowadays a blockbuster will never get the green light until some kind of quality insurance comity makes sure even the slowest 10% of your average audience will never be left wondering about anything that goes on for more than 2.5 seconds. I guess some marketing genius managed to convince the producers that leaving anything to the imagination of the customer seriously threatened the return on investment or something.

The last 3 episodes were unfortunately born in this disastrous context and proceeded methodically with the extermination of the slightest bit of magic that populated the 3 previous movies. Everything is laid bare in front of our eyes like some specimens on a dissection table. No, not even that. More like pieces of hardware broken down into component parts on a sterilized workbench.

So the Force is just something you catch like a flu. The mythical clone war is just 15 minutes of a ridiculous "plan 66". The mighty Vader is just a poor boy with an over-sized ego and an IQ reduced to 2 digits figures by an excess of testosterone (or midichlorians or whatnot for that matter). The mighty conflict that flares through the galaxy is just the outcome of desperately trivial political plots. The Jedi council a bunch of pathetically weak over-aged muppets. Yoda a preposterous 10 inches tall kung-fu master.

The epic spirit of the first trilogy has been judged guilty of sales-threatening capital crime, quietly dragged behind the marketing barracks at dawn and shot in the back of the head.

As if to make good for this assassination, the last 3 movies drown us into a squirming pool of special effect and fan service that go light years over the top. Hysterical scenes flashing past before you really could decide where to focus your gaze just make the cheesy plot-advancing ones look miserable. Here again I feel the invisible hand of the marketing staff, managing to cram about every single second or third rate characters from the previous trilogy into an already bloated plot, stretching even further the already badly mauled consistency of the scenario in the process.

Frankly, what could this stupid "average viewer wants facts" assumption bring but bitter disappointment? The result is not only boring, but really, really sad.
Truly the best of the bad _Star Wars_ movies, _Revenge of the Sith_ doesn't make a whole lot of sense, both when viewed as self-contained, and when seen as a part of the _Star Wars_ whole, but at least Lucas bothered to put a whole movie in here.

_Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._

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The evil Darth Sidious enacts his final plan for unlimited power -- and the heroic Jedi Anakin Skywalker must choose a side.
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